Motivational Quotes

Definitions belong to the definers, not the defined.

Definitions belong to the definers, not the defined.

Definitions belong to the definers, not the defined.

Toni Morrison

Таърифҳоро таърифкунандагон месозанд, на одамонеро, ки таъриф мешаванд.

Ин ибора ба маънои он аст, ки таърифҳое, ки ба падидаҳо ва мафҳумҳо дода мешаванд, бештар таҳти таъсири назариёт, пешфарзҳо ва манфиатҳои афродие қарор доранд, ки ин таърифҳоро пешниҳод мекунанд на худи падида ё мафҳуми мавриди назар. Яъне, таърифҳо сохтаи дасти инсон ҳастанд ва ҳатман инъикоси дақиқ ва бетарафи воқеият нестанд.

Тони Моррисон

.تعاریف را تعریف‌کنندگان می‌سازند، نه کسانی که تعریف می‌شوند

این جمله بیان می‌کند که تعاریفی که به پدیده‌ها و مفاهیم داده می‌شود، بیشتر تحت تأثیر دیدگاه‌ها، پیش‌فرض‌ها و منافع افرادی است که این تعاریف را ارائه می‌کنند تا خود پدیده یا مفهوم مورد نظر. به عبارت دیگر، تعریف‌ها ساخته دست انسان هستند و الزاماً بازتاب دقیق و بی‌طرفانه واقعیت نیستند.

التعريفات ملك لمن يضعها، لا لمن يتم تعريفه.

تعني هذه العبارة أن التعريفات التي تُعطى للظواهر والمفاهيم تتأثر بشكل أكبر بآراء ومفاهيم ومصالح الأشخاص الذين يقدمون هذه التعريفات أكثر من الظاهرة أو المفهوم نفسه. بمعنى آخر، التعريفات هي من صنع الإنسان وليست بالضرورة انعكاسًا دقيقًا ومحايدًا للواقع.

توني موريسون

Toni Morrison’s quote, “Definitions belong to the definers, not the defined,” is a profound reflection on power dynamics, identity, and language. The statement suggests that the power to define and label belongs to those who hold authority, rather than to those who are being labeled. Here’s an analysis of the quote’s meaning and implications:
1. The Power of Definition
The core idea of Morrison’s quote lies in the concept that the act of defining — whether it’s a person, a group, a culture, or even an idea — is a power-driven process. Those who control the definitions shape perceptions and, by extension, shape the way others are seen, understood, and treated. The “definers” in this context are the ones who have the authority, social capital, or cultural influence to determine what is considered “normal,” “acceptable,” “worthy,” or “true.”
For example, historically, groups with societal power — such as colonial rulers, slave owners, or patriarchal structures — have defined other groups, such as marginalized racial, ethnic, or gender groups, according to their own biases and interests. This can lead to misrepresentations, dehumanization, and oppression. As Morrison suggests, the people who are “defined” often have little say in how their identity is constructed or perceived.
2. Implications for Identity and Agency
This quote also speaks to the struggle for identity and agency, particularly for historically oppressed or marginalized groups. When others define you, they control the narrative of who you are and what you can be. This creates a dangerous space where individuals or groups may internalize these external definitions and lose their ability to assert their own identity.
For example, in the context of race, many Black people throughout history have been defined by others — from being seen as “inferior” or “property” during slavery to being stereotyped as violent or uneducated in more recent times. Morrison’s quote highlights the injustice of this imposed definition, and the need for marginalized people to reclaim their own identities.
3. Colonialism and the Politics of Naming
The relationship between definitions and power is particularly evident in colonial histories. Colonizers often imposed definitions on the cultures, languages, and beliefs of colonized peoples, deeming them “primitive,” “savage,” or “backward.” These labels served to justify colonial rule and exploitation. The act of naming things, places, and people under colonial control gave colonizers power over the very essence of those they sought to dominate.
Morrison’s quote suggests that the ability to define others — especially to reduce them to simplistic categories — is itself an expression of dominance. The “defined” are seen not in their full complexity, but as flattened, controlled entities, defined by others’ terms, often in a way that strips them of their humanity.
4. Social Constructs and Normativity
Definitions also play a key role in establishing social norms. What is considered “good,” “bad,” “beautiful,” or “acceptable” is often defined by those who hold power in society. For instance, beauty standards, gender roles, and social expectations around behavior are largely dictated by those in power, such as media moguls, political leaders, or cultural elites. The “definers” construct these definitions, and those who are being defined — the general population — may feel compelled to conform to these standards, often without question.
Morrison’s quote challenges us to consider who is doing the defining and why. It calls for a re-examination of the dominant cultural definitions of beauty, success, morality, and other values, suggesting that we must reclaim the right to define ourselves and challenge the norms that limit our potential.
5. Empowerment Through Reclaiming Definitions
One of the most powerful aspects of Morrison’s quote is the implication that those who are defined — particularly those who have historically been oppressed — must take control of their own definitions. This is a call for empowerment: the act of re-defining oneself can be an act of resistance and liberation. By asserting one’s own identity and rejecting imposed labels, individuals and groups can break free from the narratives that have been constructed around them.
A prominent example of this is the reclamation of racial and gender identities in recent decades. For instance, the term “Black” was once used as a derogatory definition imposed by colonizers and enslavers. Today, many Black people embrace the term with pride, asserting ownership of the identity and countering centuries of negative definitions. Similarly, the LGBTQ+ community has reclaimed and redefined terms like “queer” and “gay” that were once used to stigmatize them.
6. Language as a Tool of Liberation or Oppression
Language, in this context, is not neutral; it is a tool that can either empower or subjugate. Morrison’s quote speaks to the idea that language shapes our perception of reality. When the language of the “definers” dominates, it marginalizes alternative narratives, viewpoints, and experiences. But when people take control of the language that describes them, they have the opportunity to reshape their world.
For instance, the feminist movement has worked to redefine gender roles, sexuality, and power dynamics. By rejecting traditional, patriarchal definitions of what women should be or do, feminists have empowered women to define themselves — on their own terms.
7. Historical and Contemporary Examples
Morrison’s insight can be applied to various historical and contemporary contexts:
Slavery and Racism: During the era of slavery, the definitions of Black people were crafted by white slaveowners, who defined them as property, as less-than-human. Today, efforts to reframe African-American identity on terms of empowerment and pride (e.g., the Black Lives Matter movement) challenge those past definitions.
Feminism and Gender: Historically, women have been defined by male-dominated institutions, often as subordinates or objects. The feminist movement has worked hard to shift these definitions and assert that women can define their own roles and identities.
Indigenous Rights: Indigenous peoples have long been defined by colonial powers as “savages” or “primitive.” Contemporary Indigenous movements seek to reclaim their culture, language, and histories, asserting their own definitions of identity, sovereignty, and culture.
Conclusion
Toni Morrison’s quote “Definitions belong to the definers, not the defined” is a potent commentary on power, identity, and social structures. It underscores the idea that the power to define is inherently tied to control. The act of defining is not just an intellectual exercise but a political one that can shape the lives, opportunities, and perceptions of individuals and groups. Morrison’s words urge us to recognize the power dynamics involved in definitions and to reclaim the right to define ourselves, to resist being confined to the labels imposed on us by others, and to challenge those in power who dictate how we should be seen and understood.

Toni Morrison: Overview

Full Name: Chloe Anthony Wofford Morrison
Born: February 18, 1931
Died: August 5, 2019
Birthplace: Lorain, Ohio, USA
Occupation: Novelist, Essayist, Editor, Professor
Notable Works: Beloved, Song of Solomon, The Bluest Eye, Sula, Tar Baby, Jazz
Awards: Nobel Prize in Literature (1993), Pulitzer Prize for Fiction (1988), National Book Critics Circle Award, and many more.

Toni Morrison was one of the most influential writers of the 20th and 21st centuries, known for her powerful narratives that explore African American identity, history, and the complexities of race in America. Her works have profoundly shaped the literary world, and she remains an iconic figure in literature, social justice, and culture.

Early Life and Education:

Toni Morrison was born Chloe Anthony Wofford in Lorain, Ohio, to George Wofford, a shipyard welder, and Ramah Wofford, a domestic worker. She was the second of four children. Morrison was raised in a working-class, African American community and grew up surrounded by rich oral traditions. Her early exposure to folklore and storytelling would influence her writing style.

Morrison attended Howard University in Washington, D.C., where she earned a Bachelor’s degree in English in 1953. Afterward, she pursued a Master’s degree in English from Cornell University, completing her studies in 1955. While at Cornell, she studied the works of William Faulkner, Virginia Woolf, and other writers, which deepened her interest in narrative and literary traditions.

Career as an Editor:

Before becoming a renowned author, Toni Morrison had a distinguished career as an editor. She worked for Random House in New York from 1965 to 1983, where she edited works by African American writers, including Muhammad Ali’s autobiography, works by Angela Davis, and Gayl Jones. Morrison was instrumental in bringing the voices of African American authors into the mainstream. She also edited The Black Book, a landmark anthology of African American history and culture.

Her time as an editor gave her a unique insight into the literary world, and it was during this period that she began working on her own novels. Her editorial work laid the foundation for her deep understanding of the power of storytelling and representation.

Literary Career:

Toni Morrison’s literary career began with her debut novel, The Bluest Eye (1970). The novel tells the story of Pecola Breedlove, a young Black girl who internalizes the idea that she is ugly because of her dark skin and yearns for blue eyes. The novel explores themes of race, beauty, and trauma, and though it was not widely accepted at first, it became a classic and a crucial part of the American literary canon.

Following The Bluest Eye, Morrison published several other novels that would solidify her as one of the most important voices in American literature:

  • Sula (1973): This novel centers on the complex friendship between two Black women, Sula Peace and Nel Wright, in a small Ohio town. It explores themes of loyalty, betrayal, identity, and the effects of race and gender on individual lives.
  • Song of Solomon (1977): This novel follows the life of Macon “Milkman” Dead III, a Black man searching for his ancestral roots. Song of Solomon was groundbreaking in its exploration of African American identity and spirituality, and it won the National Book Critics Circle Award.
  • Tar Baby (1981): A story about the relationship between an African American man, a wealthy Black woman, and their interactions with colonialism and race relations, set against the backdrop of an affluent Caribbean island.
  • Beloved (1987): Morrison’s most famous and widely celebrated work, Beloved is based on the true story of an escaped enslaved woman named Margaret Garner, who killed her own child to prevent her from being captured and returned to slavery. The novel addresses themes of motherhood, trauma, and the haunting legacy of slavery. It won the Pulitzer Prize for Fiction in 1988 and is considered one of the most important American novels of the 20th century.
  • Jazz (1992): Set in Harlem in the 1920s, Jazz explores the complexities of love, infidelity, and the vibrancy of Black life. It was nominated for the National Book Award.
  • Paradise (1997): A novel that explores the lives of Black women in a religiously conservative town and deals with themes of faith, power, and violence.
  • Love (2003): A story about a group of people bound together by their obsession with a man named Bill Cosey and how his love (and mistreatment) shaped their lives.
  • A Mercy (2008): Set in 17th-century colonial America, A Mercy examines the early history of slavery and the intersection of race, class, and gender.

Morrison’s writing is known for its complex narratives, its lush prose, and its deep exploration of themes related to race, history, memory, identity, and the African American experience. Her work often incorporates elements of magic realism, African American folklore, and oral traditions, creating a distinctive literary voice that speaks to the histories and struggles of Black people in America.

Awards and Recognition:

Toni Morrison received numerous prestigious awards throughout her career:

  • Nobel Prize in Literature (1993): Morrison was awarded the Nobel Prize for her “visionary force and poetic import,” becoming the first African American woman to win the award. The Swedish Academy lauded her work for its exploration of the “dark side of the American dream” and its insight into the human condition.
  • Pulitzer Prize for Fiction (1988) for Beloved: This was one of the highest honors in American literature and solidified Morrison’s place as a major literary figure.
  • National Book Award for Fiction (1977) for Song of Solomon: Morrison’s exploration of Black identity, both personal and cultural, earned her recognition from the National Book Award committee.
  • Presidential Medal of Freedom (2012): Awarded by President Barack Obama, the Presidential Medal of Freedom is the highest civilian honor in the U.S., recognizing individuals who have made significant contributions to society.

Activism and Legacy:

Beyond her literary contributions, Morrison was also deeply involved in social and political activism. She was a strong advocate for the rights of African Americans, particularly in the realms of education, culture, and civil rights. She used her platform to address racial inequality, the effects of slavery, and the marginalization of African American voices in both literature and society.

Morrison’s legacy is not only defined by her novels but by her lasting impact on the literary world, her work as an editor and mentor to other writers, and her advocacy for a more inclusive and equitable representation of Black experiences. Her influence can be seen in the works of many contemporary writers, including Ta-Nehisi Coates, Colson Whitehead, and Jesmyn Ward.

Death and Continued Influence:

Toni Morrison passed away on August 5, 2019, at the age of 88. Despite her passing, her work continues to resonate with readers, scholars, and activists worldwide. Her exploration of the complexities of race, memory, and identity remains as relevant today as it was when she first began writing. Toni Morrison’s novels are studied in classrooms, discussed in literary circles, and have left an indelible mark on American culture and literature.

Her words and her legacy live on, reminding us of the power of storytelling to shape our understanding of the past, challenge the present, and inspire the future.