I would rather die of passion than of boredom.
Vincent van Gogh
ترجیح میدهم از شور و اشتیاق بمیرم تا از کسالت.
ونسان وَن گوگ
این جمله نشاندهندهی روحیهی پرشور و پرانرژی گوینده است که زندگی را با هیجان، عشق و اشتیاق معنا میکند. او ترجیح میدهد زندگی پرفرازونشیبی داشته باشد که از علایق و آرزوهایش سرشار باشد، تا اینکه در سکون و یکنواختی دچار بیحوصلگی و رخوت شود. این نقل قول به نوعی فلسفهی زندگی افرادی را بازتاب میدهد که از روزمرگی و رکود بیزارند و ترجیح میدهند حتی اگر قرار است به پایان راه برسند، این پایان همراه با هیجان و شور زندگی باشد.
Ман беҳтар медонам аз шавқу ҳавас бимирам, на аз дилгирӣ.
Винсент Ван Гог
Ин гуфта нишон медиҳад, ки гӯянда шахсияти пур аз шавқу ҳавас ва энергия дорад. Ӯ зиндагиро бо ҳаяҷон, ишқ ва орзуҳо маънӣ мебахшад ва намехоҳад зиндагии якранг ва дилгиркунанда дошта бошад. Ин андеша бештар ба фалсафаи зиндагии онҳое шабоҳат дорад, ки аз якнaoхтӣ безоранд ва мехоҳанд ҳар як лаҳзаи умри худро бо шавқу завқ гузаронанд, ҳатто агар ин онҳоро ба марг расонад.
أُفَضِّلُ أن أَموتَ من الشَّغَفِ على أن أَموتَ من الملل.
فينسنت فان خوخ
هذه العبارة تعبر عن شخصية مليئة بالشغف والطاقة، حيث يرى قائلها أن الحياة يجب أن تكون مليئة بالحماس والإلهام بدلاً من أن تكون مملة ورتيبة. إنه يفضل أن يعيش حياة مليئة بالمغامرة والتجارب الجديدة، حتى لو أدى ذلك إلى نهايته، على أن يقضي أيامه في ملل وفراغ. هذه الفكرة تتماشى مع فلسفة الأشخاص الذين يؤمنون بأن الحياة تُعاش بالكامل أو لا تُعاش على الإطلاق.
Vincent van Gogh, a man whose life was as vibrant and turbulent as his paintings, once declared, ‘I would rather die of passion than of boredom.‘ This powerful statement encapsulates the very essence of his artistic drive and his relentless pursuit of emotional truth. Van Gogh’s life, though tragically short, was a testament to his unwavering commitment to his art, fueled by an inner fire that refused to be extinguished. His words remind us to embrace our passions and live with a fervor that transcends the mundane.
Vincent van Gogh’s quote, “I would rather die of passion than of boredom,” encapsulates a profound sentiment about the value of an intensely lived life. Let’s break it down.
The phrase “die of passion” suggests a life consumed by fervor, emotion, and purpose—something Van Gogh himself embodied through his art. Passion, here, implies a force so powerful it could overwhelm or exhaust someone, yet it’s framed as a preferable way to go. It reflects his relentless drive, seen in his prolific output despite personal struggles, mental health challenges, and poverty. For Van Gogh, passion wasn’t just enthusiasm; it was a visceral, all-encompassing commitment to expression and meaning.
In contrast, “die of boredom” evokes a slow, numbing erosion of vitality—a fate he clearly dreads more. Boredom represents stagnation, a lack of engagement with the world, which for an artist like Van Gogh, who found inspiration in everything from sunflowers to starry skies, would be a kind of spiritual death. This part of the quote reveals his disdain for a mundane, uninspired existence.
Together, the quote juxtaposes two extremes: a fiery, perhaps chaotic end versus a dull, lifeless one. It’s not a literal wish for death but a declaration of how he chooses to live—fully, vibrantly, even at great cost. Given his life story—marked by emotional turbulence, rejection, and eventual suicide in 1890—it also hints at a tragic irony. His passion did, in a way, consume him, yet it’s what left us his enduring legacy.
What do you think? Does this resonate with how you see passion or boredom in your own life?
Vincent van Gogh (1853–1890) was a Dutch post-impressionist painter whose life and work have left an indelible mark on art and culture, despite his struggles and lack of recognition during his lifetime. Born on March 30, 1853, in Zundert, Netherlands, Van Gogh was the son of a Protestant pastor, and his early years hinted little at the artistic genius he’d become. His path to painting was winding—he worked as an art dealer, a teacher, and even a missionary before committing to art in his late 20s.
Van Gogh’s artistic career spanned just a decade, from 1880 until his death in 1890, but in that time, he produced over 2,100 artworks, including around 860 oil paintings. His early works, like The Potato Eaters (1885), reflect a somber realism—dark earthy tones depicting peasant life, influenced by his empathy for the working poor. But his style evolved dramatically after moving to Paris in 1886, where he encountered Impressionism and artists like Monet and Pissarro. His palette brightened, brushstrokes loosened, and he began experimenting with color and form.
In 1888, he relocated to Arles in southern France, seeking inspiration in its vivid landscapes. This period birthed some of his most iconic works: Sunflowers, The Bedroom, and Café Terrace at Night. His use of bold, swirling brushstrokes and intense colors—like the electric yellows and deep blues of The Starry Night (1889)—conveyed emotion over realism, a hallmark of post-impressionism. He once wrote, “I put my heart and soul into my work, and have lost my mind in the process,” a line that captures both his dedication and his unraveling mental state.
Van Gogh’s life was marred by mental illness, likely including bipolar disorder or epilepsy, compounded by absinthe use and malnutrition. The infamous ear-cutting incident in 1888—after a falling-out with fellow artist Paul Gauguin—marked a turning point. He admitted himself to a psychiatric hospital in Saint-Rémy in 1889, where he painted furiously, producing masterpieces like Irises. Yet his despair deepened. On July 27, 1890, at age 37, he shot himself in a wheatfield in Auvers-sur-Oise and died two days later. His brother Theo, his closest confidant and supporter, was devastated and died six months later.
Ironically, Van Gogh sold only one painting, The Red Vineyard, during his lifetime. His fame grew posthumously, thanks to Theo’s widow, Johanna, who championed his work. Today, his paintings fetch millions—Portrait of Dr. Gachet sold for $82.5 million in 1990—and his story of the tortured genius resonates widely.
Van Gogh’s legacy lies not just in his art but in his raw humanity. His letters to Theo reveal a man wrestling with purpose, faith, and isolation, yet driven by an unrelenting need to create. He once said, “What am I in the eyes of most people—a nonentity, an eccentric, or an unpleasant person—somebody who has no position in society and will never have; in short, the lowest of the low. All right, then—even if that were absolutely true, then I should one day like to show by my work what such an eccentric, such a nobody, has in his heart.” And he did. His work remains a testament to passion’s power—and its cost.
Vincent van Gogh on Wikipedia